The British punk duo are back, dropping two new tracks that land like a gut punch. One of them follows "a sad little man who gets radicalised by the manosphere," a razor sharp character study wrapped in the kind of snarling fury they built their name on. This is what they do best. Ever since they first stomped onto the scene with their debut, they have treated every track like a protest sign set to feedback, and these new cuts keep that fire burning hot.
The storytelling here is the killer part. They have always written songs about the overlooked, the angry, the lost, and this gem about online radicalisation fits right into that lineage. Sharp lyrics. Loud guitars. A belter chorus that refuses to let go.
Two tracks, zero filler, pure momentum heading into whatever comes next. The sound is tighter, meaner, more focused than before, and the subject matter feels ripped from the worst corners of the internet. This duo keeps proving they matter.