This week’s rock celebrates the outsiders and the one-offs. Cinematic, anthemic songwriting on one hand, gloriously unhinged garage psychedelia on the other, music made by people with zero interest in fitting the script. Turn it up and revel in the difference.
The Restless Few – The Restless Few
Growing from a single vulnerable voice into a communal chorus, “The Restless Few” is a epic, cinematic anthem for outsiders and late starters everywhere
Here’s an anthem two decades in the making. “The Restless Few” is both the band’s namesake and a manifesto celebrating outsiders, late starters and anyone who refuses to be defined by convention. Taken from their debut album Raging Love, a collection written across twenty years, it embodies their cinematic approach, growing from a single vulnerable voice into an expansive communal chorus. It’s super hooky, and I love the layered synths and dynamic contrasts. Recorded in the makeshift backyard studio where they once played as children, it’s built on the belief that music is about connection rather than perfection. And that chorus? Its genuinely take off.
The Restless Few are a London-based band whose roots stretch back over twenty years to childhood friendships in Bologna, Italy. This ragtag collective of lifelong friends has been writing together since primary school, surviving countless demos, abandoned projects and an epic hunt for the perfect singer that led them somewhere unexpected. Drawing on AWOLNATION, Nothing But Thieves, Muse, Elbow and Radiohead, they roam freely between raw rock energy, polished pop hooks and cinematic electronic atmospheres. These are deeply human songs they’ve been sitting on for years, finally set free. We very much hope there’s more coming.
Billy Caveman – Dig It
Doo-wop, psych rock, harmonica and throat singing collide on “Dig It”, a gleefully unclassifiable party-starter from one-man force Billy Caveman.
Good luck filing this one under any single genre. “Dig It” is Billy Caveman’s boldest statement yet, leaning hard into doo-wop and 50s rock’n’roll while keeping a thoroughly modern psych-rock edge. And yes, that really is a harmonica solo and actual Cascadian throat singing in there. Recorded entirely live with minimal overdubs, it preserves a raw, primitive energy that hurtles between eras. Best of all, it’s not just a compelling collection of influences, it’s actually a banger too. Very much unhinged in the best way, and as a mashed potato fan, i’m even more into it.. Wild, infectious and genuinely one of a kind.
Billy Caveman is a one-man sonic force out of Coeur d’Alene, Idaho, who commands drums, bass, guitar and vocals all at once, live and with no loops. That sheer physical feat is impressive enough on its own, but it’s the vision that sets him apart: a garage psych rocker fusing primal rock’n’roll energy with doo-wop sensibilities and the hypnotic pull of Cascadian throat singing. It’s a genuinely distinctive niche, and one he clearly relishes occupying. There’s nobody else out there doing quite what he does, and thank goodness for that. More of this madness please, Billy.