At the tail end of January, we’re checking out this week’s Pop BOPS – moving through shadowy synth pop, joyful collaboration, socially conscious pop, indie warmth, and late-night dream pop drift. Five bangers you need is it? Well, here you go.

abendlicht – ‘Abnormal Ending‘
abendlicht crafts synth pop that feels beautifully nocturnal, emotionally heavy, and just really magnetic
Abnormal Ending leans fully into atmosphere. Dark synth textures and melancholic melodies unfold slowly, balancing emotional weight with restraint. It’s immersive without being overwhelming, the kind of track that quietly pulls you in and refuses to let go.
Based in Stockholm, abendlicht is a new synth-pop project drawing from classic darkwave and electronic pop influences while keeping things intimate and modern. This debut feels confident in its pacing and mood, signalling a project that understands tension, space, and emotional nuance. More of this please!
The Alphabet Rockers, Doctor Noize & Vivian Fang Liu – “Diversity”
The Alphabet Rockers bring joy, purpose, and clarity into pop music without ever losing its sense of fun
Diversity is bright, welcoming pop with a sense of real intention behind it. The song celebrates empathy and inclusion through melody and collaboration, letting warmth and playfulness lead rather than instruction or slogan.
Bringing together artists from the West Coast, Midwest, and East Coast of the US, this collaboration feels genuinely communal. Genuinely nice to feature some pop that is just trying to make things better in the world. Each voice adds its own texture, creating a song that feels designed to be shared, whether in classrooms, homes, or anywhere people are learning how to listen better. Great tune.
Chris Oledude – “Rainbow Soul”
Chris Oledude writes pop music with conviction, heart, and a sense of real-world urgency
Rainbow Soul moves with an easy groove, weaving messages of unity and social justice into a song that feels hopeful rather than heavy-handed. It feels like a family affair, with everyone getting involved vocally, and the song only benefits as a result. The balance between rhythm and message is carefully judged, letting the song breathe while still saying something meaningful.
Based in New York, Chris Oledude brings decades of songwriting, activism, and lived experience into his music. Drawing from pop, funk, and soul traditions, his work carries a timeless quality, connecting past movements with present-day urgency. I’d love to see this live.
Shelita – “Sailors”
“Shelita has a rare ability to make emotional pop feel both expansive and deeply personal.”
Leaning into indie pop, ”Sailors’ is a gentle, cinematic meditation on choosing love again and again, even when things feel uncertain. The song flows naturally, emotionally open without leaning into excess, allowing vulnerability to sit comfortably at its centre. Bjork-like production flourishes make this one a real standout.
Raised in Seattle and now working internationally, Shelita blends pop with global influences and a strong sense of place. Her songwriting feels adventurous yet grounded, with a voice that carries warmth, control, and quiet confidence. This continues the growing promise we’ve seen from Shelita with her singles last year. Excited to hear more.
Us and I – “What’s There to Dream”
Us and I create dream pop that feels weightless, reflective, and quietly profound
What’s There to Dream drifts between doubt and dreaming, wrapped in soft synths and hazy textures. This is definitely the best dream pop we’ve heard this year; and the track invites stillness, encouraging listeners to sit with uncertainty rather than resolve it too quickly.
Now based in Düsseldorf, Us and I are a duo originally from India, crafting dream pop rooted in introspection and atmosphere. Their music lives in the space between night and neon, melancholy and comfort, making this a quietly absorbing listen. I hope there’s more of this on the way.








