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Some lovely, smooth, late-night vibes are running through this week’s selection, with artists leaning into intimacy, melody and modern R&B textures. So hey, let’s get stuck in, shall we? ❤️‍🔥

Sophia Bolinder – My Own Company

Sophia Bolinder delivers a confident, emotionally rich R&B cut centred on resilience and standing up for yourself

My Own Company moves with a slow-burning groove built on warm keys and understated percussion, giving space for its brilliantly, reflective vocal to lead. The track channels classic R&B influences while keeping a contemporary softness, and there’s a craft to how it grows into the chorus.

Sophia Bolinder, a Stockholm-based artist, positions this release as a statement of independence and growth. Drawing from soul traditions and personal storytelling, she leans into themes of self-worth and emotional recovery with clarity. We love it.

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Zaydon – Falling in Love feat BMO

Zaydon blends heartfelt vocals and polished production into a genre-crossing R&B track that’s got us falling in love

Falling in Love glides between smooth R&B melodies and pop-leaning hooks, anchored by layered vocals and a clean, modern beat. There’s a huge amount of chemistry between the vocals here, adding a natural lift to the chorus, which really slaps.

Zaydon, emerging from the Los Angeles scene, marks a key moment here with his first professionally written release. His collaboration with BMO reflects an organic creative process, shaping a sound that feels both personal and accessible. It’s a real bop, and we’ve had it on repeat this week.

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I3lly – Need You

I3lly crafts a stunner of a moody, introspective R&B track shaped by late night atmosphere

Need You opens with a looping guitar line that carries through hazy synth textures and restrained trap rhythms. The vocal is the standout here, sitting close and intimate, reinforcing the track’s late-night tone. But maybe best of all, it’s not just all mood here, the chorus is a real earworm.

I3lly, a Canadian artist with roots in Beijing and Vancouver, uses this release to begin a wider narrative arc. His blend of melodic rap and alt-R&B draws on introspection, exploring longing and emotional distance with subtle detail. We can’t get enough of this one, and it’s cool artwork too.

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BOYSARM – Elite’s Anthem

BOYSARM delivers a vibrant Afrobeats-infused R&B crossover that’s a genuine vibe

Elite’s Anthem, pulses with percussive drive and bright melodic phrasing, merging Afrobeats rhythms with smooth vocal lines. The production feels expansive while maintaining a strong rhythmic core. It’s another one this week with a strong sound world, but also with a fantastic song at it’s heart.

BOYSARM, based in Lagos, brings a distinct perspective shaped by contemporary African sounds and global influences. This release highlights his ability to bridge styles while celebrating identity and forward momentum within the scene. It’s a real banger this one, and I’ll be digging into the catalogue this week. Essential stuff.

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Fast riffs, sharp hooks and darker textures drive this week’s punk selection. So let’s dive right in 🛟

Drawing Room – New World

Drawing Room serve up a bright, high-energy pop punk banger with the sharpest of hooks

New World kicks in with fast-paced drums and crisp guitar riffs, locking into a lively pop punk groove that feels immediate and upbeat. It’s all catchy melodies, tight production and lovely dynamics. There’s a sense of four mates having fun here, which I love, and it comes across with ease in the track.

Drawing Room, from Basingstoke, channel early 2000s pop punk influences into a fresh, modern sound. This release reflects their focus on energetic songwriting and connection, positioning them as a band built for live impact and repeat listens. I’d love to catch a gig one day, as this is really great. More of this please, guys.

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Hump day is the obviously best time to rock out, so here’s this week’s punchy mix of grit, reflection and classic bangers. From protest-rooted folk rock to seasoned blues storytelling, here’s this week’s rock bops ❤️‍🔥

Chris Oledude – The Choice

Chris Oledude delivers a vivid beauty of a protest, roots-driven rock moment

The Choice moves with a steady folk rock pulse, blending warm acoustic textures with purposeful, grounded instrumentation that reminds me of Rush. It’s on the reflective side but also incredibly direct, carrying a sense of urgency through a fantastic call and answer vocal arrangement. I’m a fan of Oledude’s work; and this by far is his most ambitious, together piece yet.

Chris Oledude draws from a deep lineage of protest music, informed by both classic folk traditions and progressive rock influences. The track reflects his long-standing commitment to social themes, channelling environmental concern and human decision-making into a focused, message-led release.

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Rhys Hurd – Who the hell am I?

Rhys Hurd channels bold synth rock energy into a bright, questioning anthem built for big hooks

Who the hell am I? is all about those punchy synth lines and driving guitar work, serving up the most fun, vibrant, retro-tinged sound. The track feels immediate and has a real anthemic vibe, with a strong rhythmic push and a glossy finish. And there’s genuine craft to the arrangement, with verses cleverly pulling back a notch in order to make the most of the big chorus.

Rhys Hurd, emerging from the South West UK scene, continues to build a reputation for high-energy, crossover rock. This release highlights his hands-on approach to songwriting and production, pairing personal themes of identity and self-reflection with a colourful, accessible sound. This is loads of fun, and Rhys has got himself a new fan.

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Aging Disgracefully – Blues Get Better With Age

Aging Disgracefully craft a warm, guitar-led blues rock track that celebrates experience with depth and character

Blues Get Better With Age kicks off with a lazy drum part, and organ, before letting it all out with a deliciously thick, expressive guitar tone. The rich, earthy vocals are the standout here, balancing classic blues feeling with a clean modern edge. Perhaps best of all though, the hook is great and I’m transported to the a cosy alehouse, and the accompanying whisky, pictured on the cover.

Aging Disgracefully lean fully into their identity as a blues-rooted duo, using this release to reinforce their focus on authenticity and lived experience. The track centres on themes of ageing and resilience, pushing back against industry norms while embracing a timeless, story-led approach to rock. Essential stuff.

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AYCE (All You Can Eat) is the project of Sara Bunge, Jessica Heming, and Ramsey Ord, and their debut EP is exactly what it promises: a generous, no-holds-barred spread of rock that refuses to sit still in one lane. With Sara’s raw, effects-free powerhouse vocals up front and Ramsey’s production threading the needle between gritty and gleaming, these three have something genuinely exciting on their hands.

We caught up with Sara and Ramsey to talk about the EP, the road to finding their sound, and why a perfect AYCE show might just be better than yoga.


“All You Can Eat” is a deliciously bold acronym for the band. What are you actually serving up for us eager listeners?

Ramsey: Jess actually suggested the name originally to mean “unlimited possibilities,” and that’s how we’re thinking about the music. We don’t want to get locked into too specific of a style and want to keep people guessing! The songs on the EP are all some form of rock, but they don’t necessarily all sound like each other. And I think that’s a good thing.

‘Go’ is my personal favourite on the EP. It hits that sweet spot between raw and polished. What was the production process like?

Ramsey: Once Sara came on board, the production became far easier and way more exciting. It was actually difficult to find that sweet spot because Sara has a strong enough voice that it didn’t require post-production effects, but most modern songs have a lot of effects. So we were trying to find that balance of having somewhat of a retro rock sound, but not too retro. Each song ended up with its own type of mix because of it.

The process had a lot of challenges, but we persevered. And honestly, it was a blessing in disguise that things took so long. Now we have a whole backlog of material ready to record, and the process will hopefully be a cakewalk compared to what it was.

We love it! If someone presses play on AYCE for the very first time, which track tells them exactly who you are?

Sara: I’m gonna say “Turn It Around” because I just love the juxtaposition in the music and lyricism. The sound of the song is dark, angsty, almost nightmare-ish, but the lyrics are literally just telling you “I know everything’s bad, but let’s try to turn it around, girl!” Like… okay! Sing me to sleep, why don’t you!

There’s a real sense of energy across the EP. What does a perfect AYCE live show feel like from your perspective?

Sara: I still have yet to crowd-surf… and dancing. Lots of dancing. A container to release whatever you’ve been holding onto through sound and movement. Like yoga, but a lot louder. And probably don’t wear leggings.

You’re getting some great traction on Spotify. What’s next? We’re excited.

Sara: We have new melodies and music rolling in, but before anything, we want to get out there and share our energy and gratitude with audiences.

Ramsey: We have strong roots in both LA and the UK and plan on doing gigs in both areas this year. Jess lives in Brighton, and Sara spent some of her formative years in the UK before landing in Southern California. We also plan on releasing more singles later this year!


Well, we’d love to have them on these shores. And AYCE’s debut EP ‘All You Can Eat’ is out now. Keep an eye on their Spotify and socials. This one’s just getting started.

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Is there a better genre than indie pop? I’m not sure. Trendy people like it. Your grandma would probably like it. And kids will dance along too. We love this week’s indie pop bops; there’s emotional clarity, sharp pop instincts and cinematic synth builds. So let’s dive in 🏊‍♀️

Ava Valianti – Birthday Cake

Ava Valianti delivers a genuinely striking coming-of-age moment, turning bright pop textures into something compellingly dark

Birthday Cake opens with a polished pop sheen, a touch of indie cred, and all the song-craft of a Lana Del Rey classic. What follows is an introspective, airy journey, led by a steady, grounded vocal that stuns. It grows beautifully into a chorus section that lands easily, and even the short coda – a tinny phone recording that sounds like an early demo – grabs your attention.

Ava Valianti, a Newbury, Massachusetts songwriter, continues her shift into a more expansive pop sound, using the track to reflect on time, pressure, and self-expectation with notable clarity. She’s still young, but this marks a confident step forward, building on earlier releases while sharpening her emotional focus. It’s genuinely brilliant.

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Luc Rushmere – Bonfire

Luc Rushmere crafts a dark, cinematic indie electronic track, blending devotional intensity with expansive, synth-driven production

Bonfire builds around pulsing synth layers and a wall-of-sound chorus, creating a sense of scale that feels both intimate and overwhelming.

Luc Rushmere based in London, leans further into his cinematic instincts here, pairing ritualistic lyrical themes with bold production. The track underlines his move towards a more emotionally direct, large-room sound while retaining a distinct indie edge.

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Me.Kai – MISSMELIKEU

Me.Kai channels emotional turbulence into a vivid hyperpop track, fusing intimacy and chaos through dynamic, genre-blurring production

MISSMELIKEU moves between delicate string-led moments and glitchy, high-impact drops, capturing a push and pull that feels deliberately unsettled.

Me.Kai, emerging from Santa Barbara, continues to define her hyperpop direction with this release, using it to explore longing, self-doubt, and emotional intensity. It signals a bold evolution, merging her storytelling roots with more experimental textures.

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Tim Ellis – Spring Forward

Tim Ellis delivers a thoughtful indie pop moment, pairing seasonal reflection with melodic warmth and understated lyrical wit

Spring Forward unfolds with a gentle, guitar-led arrangement that mirrors the disorientation of shifting seasons, keeping its tone warm yet slightly off-centre.

Tim Ellis, a New York-based songwriter, uses the track as part of a wider conceptual project, blending humour and sincerity in equal measure. It highlights his ability to turn everyday moments into something quietly resonant, grounded in strong melodic craft.

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Spring is definitely here, so what better time to dive into some indie rock bangers. We’ve got stripped-back songwriting and brighter, full-band moments, but they all genuinely slap. So let’s rock ❤️‍🔥

Eddie Cohn – Weight of the World

Eddie Cohn delivers a beautifully thoughtful indie rock cut that genuinely stuns

Weight of the World unfolds with steady guitar lines, a wide and compelling production, and a genuinely fantastic vocal. There’s a lot of craft in this arrangement; and it really does keep things moving. By the time we have reached the fantastic middle eight, we’re barely a minute in. It’s punchy and fantastic.

Eddie Cohn leans into themes of information overload and modern pressure, shaping a track that feels both personal and broadly relatable. The release marks a continuation of his introspective songwriting approach, grounded in clarity and restraint. This is brilliant, you should definitely check it out.

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Suzaman – Intro

Suzaman serves up honest slice of warm, homegrown DIY indie that you need to check out right now

Intro is built around soft guitar textures and a direct vocal delivery that keeps things intimate from the outset. The track carries a lovely sense of groove, all while holding a real emotional depth. There’s a lovely emotional DIY vibe which adds the kind of character that hundreds of tracks would kill for.

Suzaman, led by the creative instincts of Zak Crawford, focuses on authenticity over polish. Recording from a home setup, the project reflects a commitment to simple, purposeful music-making that prioritises feeling over scale. This really is promising stuff from Zak, so we’ll definitely be keeping an eye on what he’s up to next.

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Amelia – Heartsville

Amelia delivers a vibrant country and indie rock crossover that’s a one way ticket to our heart

Heartsville rides on lively guitar riffs and a rhythmic pulse that gives it a buoyant, forward-moving feel. It’s got a fantastic sense of character, driven by its upbeat arrangement – and would definitely be a favourite for my next road trip. The chorus, in particular, is a real earworm of a moment.

Amelia draws from traditional country textures while placing them within a contemporary indie framework. The track signals a confident step into a wider sound, with storytelling that centres on love and determination. It’s great, and an instant Spotify follow for me.

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Dem Cowboys – What Dem Cowboys Say

Dem Cowboys deliver a playful, genre-blending indie rock banger with bags of character

What Dem Cowboys Say leans on punchy guitar work and a tight almost hip hop groove that gives it a distinctive, offbeat charm. It’s got great production, which alongside the clear vocal craft and carefully balanced humour, definitely puts this into a standout track of the week territory.

Dem Cowboys position themselves within a more experimental corner of indie rock, blending stylistic cues with a clear sense of identity. This release highlights their ability to keep things engaging without overcomplicating the sound. Essential stuff.

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Lightning G – Give Me A Break

Lightning G serve up our favourite indie rock moment of the month so far

Give Me A Break is anchored by deliciously thick guitar tones, just the right amount of cowbell and a steady, driving rhythm that has me punching the air in no time. It gives ‘Give Me A Break’ a grounded, no-frills impact. There’s a zero-fat approach to songwriting here, as the song glides through sections in a brilliant, crafted way. And the chorus is fantastic.

Lightning G taps into a more classic rock-influenced edge within the indie space, focusing on immediacy and presence. This release highlights a straightforward, performance-led approach that prioritises feel over excess. This is a banger, and I love it.

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There’s a sunlit energy in the air, with all the right kind of warmth and gentle movement. So let’s present our chill house bop of the week ❤️‍🔥

SONICcontrol – Miracle of the Beach

SONICcontrol craft a serene, sun-washed chill house banger with a meditative blend of soothing textures

Miracle of the Beach drifts in on soft percussion and airy recorder tones, with a light rhythmic pulse guiding its calm flow. It’s got a really dreamy vibe which unfolds in all the right ways, bringing out warm synth layers and hushed vocal textures. The meditative, repeated vocal really nails that ‘anything can happen’ vibe and I love the 90s influence to the production.

SONICcontrol are a Finland-based group shaping a sound rooted in deep, emotive electronic music. This release centres on themes of love, freedom and presence, with a strong sense of place running through its beach-inspired imagery and reflective tone. It’s fantastic, and I can’t wait to hear more.

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Easter weekend is the best holiday of the year. None of the pressure of Christmas, all of the vibes. So it’s a perfect time to dive into some acoustic textures and honest songwriting. Here’s the indie folk bops of the week 🐰

Mitchell Young – Delicate Flower

Mitchell Young gives us a wonderfully warm, introspective folk moment with the best kind of sincere songwriting

Delicate Flower unfolds through soft acoustic instrumentation and a steady, comforting rhythm, creating a lovely sense of intimacy. It’s produced like a dream, and I like the arrangement choices – staying minimal – allowing the message of love to lead.

Mitchell Young is a UK-based artist whose work draws on classic singer-songwriter influences, and this release marks a shift towards a more open, uplifting sound. Excitingly, he looks like he’s picking up traction, and no wonder – these themes of love, healing and connection, reflects a clear sense of purpose. Love to hear more of this.

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Boyce Thompson – Groove of Debt

Boyce Thompson crafts a richly textured folk moment with an important narrative for our times

Groove of Debt is built around a fireside acoustic vibe and organic instrumentation. It’s got a natural, unforced flow that gives the track a timeless feel. And the knowing, narrative-based approach is really working here, and I’m hooked by two things; the music, but also to hear the outcome of Boyce’s pretty compelling story.

Boyce Thompson is an artist rooted in Americana and folk traditions, and this release highlights his ability to reinterpret classic forms with a modern perspective. His work draws from a wide musical palette, shaping songs that feel both familiar and distinct. More of this please, Boyce.

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Oneway – Breakdown

Oneway delivers the best kind of emotionally direct folk rock banger that gives you all the feels

Breakdown builds around a wide palette of instrumentation, drawn from rock, folk and some fantastic boy/girl vocals to give the song a gradual sense of emotional lift. There’s definitely an expansive, anthemic feel to it, and by the time of the second chorus I’ve got my lighter out and waving my hands in the air.

Oneway is the project of a US-based songwriter whose work is shaped by personal experience and community focus, and this release centres on themes of struggle, faith and perseverance. It stands as a heartfelt expression designed to connect and reassure. A brilliant track.

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Sun-soaked and immediate, this week’s summer picks are all about the warmth, rhythm, and emotional openness. I know it’s early, but here’s the best bops to prep for summer ☀️

Kwame Ultimate – Say I Luv U

Kwame Ultimate delivers a vibrant, sunlit pop track that blends reggae and Afrobeats into a feel-good celebration of love and connection

Say I Luv U rides in on a laid-back groove, shaped by rhythmic percussion and warm melodic hooks that give it an easy, uplifting flow. The production is crisp, it all feels expansive and carefree. Honestly, it’s a joyful reminder of the importance of connection in difficult times we’re having.

Kwame Ultimate is an independent artist rooted in reggae and dancehall traditions, and this release sees him expand into Afrobeats-influenced territory with confidence. Centred on expressing love openly and in the moment, it captures a universal message with a global sound. It’s genuinely great.

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Eshan Agarwal – That One’s On Me

Eshan Agarwal serves up a stunning melodic pop moment with introspection and vulnerability at its heart

That One’s On Me moves in with clarity. Serving up soft, melodic layers and unfolding with a sense of genuine craft. It’s the best kind of pop rock, with a late-evening road trip atmosphere. So it’s no surprise that this one is picking up a lot of traction on Spotify, and we’re 100% glad to see it.

Eshan Agarwal is a New York-based singer-songwriter whose work blends pop with influences from jazz, R&B and theatre, and this release highlights his thoughtful approach to storytelling. Exploring accountability and self-discovery, it offers a grounded, relatable perspective. Essential stuff, more of this please Eshan.

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A single track leading the charge this week, built on atmosphere and emotional detail with a 100% club-ready focus. Hit the kick drum and let’s get ready 💡

DJ Thomek – A Little Bit

DJ Thomek serves up warm, melodic electronic banger ready for summer 2026

A Little Bit settles into a steady house groove, layered with soft synth textures and a warm vocal that gives the track its emotional centre. Stuff like this needs to have crisp production, and DJ Thomek definitely delivers in that department, providing the foundation of a genuine house banger.

DJ Thomek is an independent producer working across EDM and house, and this release highlights his focus on combining visual creativity with sound. Rooted in atmosphere and feeling, it reflects a clear intention to create music that connects both emotionally and physically. This one’s an immediate playlist add, especially for the summer season. Essential stuff.

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