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THIS WEEK’S POP ROCK BOPS

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Big hooks lead us into the last half of February. And when stacked up with open-hearted lyrics and plenty of punch, these bops define this week’s pop rock picks. From arena-sized choruses to emotionally charged storytelling, these releases lean into clarity and confidence. Let’s get stuck in ❤️‍🔥

Exzenya – That’s the Story of My Life

Exzenya delivers a bold, anthemic pop rock statement that reframes vulnerability as strength and self-possession

That’s the Story of My Life, builds on driving instrumentation and a soaring chorus that lands with purpose. Layered, Kate Bush-like vocals, unique phrasing and punchy guitars give the track lift, balancing emotional weight with radio-ready clarity.

Exzenya, an emerging US indie artist, uses this single as a defining moment within her 12-song concept album. Leaning into themes of resilience, reinvention and hard-earned growth, she transforms a familiar phrase into a declaration of ownership and evolution. Definitely one to check out this week.

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Kent Olsson – Just Tonight

Kent Olsson crafts a hook-first pop rock cut that pairs raspy vocals with a standout, big-chorus energy

Just Tonight, is built around gritty lead vocals, a punchy rhythm section and a chorus designed to stick. A stunning pre-chorus gives it extra lift, capturing that restless, after-dark atmosphere.

Kent Olsson, a Swedish songwriter and producer based in Västerås, brings decades of experience into this international collaboration. The track reflects his knack for blending pop clarity with rock edge, creating music that feels both polished and emotionally direct. A genuine pop rock banger.

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Hana Piranha – Valentine

Hana Piranha pushes theatrical pop rock into wonderfully bold territory with a fiercely individual, emotionally exposed new single

Valentine, leans into dramatic dynamics, textured instrumentation and a vocal performance that feels both intimate and confrontational. There is a tension running through the arrangement that keeps it gripping, and by the time the first chorus hits I’m definitely sold.

Hana Piranha, born in Wellington and now based in England, draws on a life shaped by classical training and boundary-pushing creativity. This release continues her tradition of diaristic songwriting, blurring art and life in a way that feels unapologetically personal. Check this out, it’s essential listening this week.

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Eileen Carey – This Is Where

Eileen Carey delivers an uplifting pop rock statement driven by warm melodies and heart-filled storytelling

This Is Where, balances steady drums, shimmering guitars and a chorus that opens up with optimism. Its reflective tone is matched by an accessible, radio-ready sheen.

Eileen Carey, an award-winning singer-songwriter based in Altadena, California, brings her West Coast pop-country sensibility into a broader pop rock frame here. The single reinforces her reputation for emotionally honest songwriting with a positive, forward-looking edge. It’s a great song, perfect for Sunday driving. I’ll be returning to this one this year.

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TRACE CO. – Burn The Ships

TRACE CO. ignite high-energy pop rock with faith-driven conviction and a chorus built for arenas filled with collective voices

Burn The Ships, charges ahead on driving guitars, energetic drums and a hook that lands with urgency. The arrangement keeps the momentum high from first verse to final chorus. It’s got a wonderful sheen to it, with a melody that really, really works.

TRACE CO, a touring worship band rooted in strong belief and community, channel their message into anthemic songwriting. This single captures their mission to pair spiritually grounded lyrics with dynamic, crowd-ready energy. It’s a big, big tune and we look forward to hearing more.

https://www.instagram.com/tracepridgen/

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THIS WEEK’S HIP HOP BOPS

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We’re closing out February with a some real hip hop bops. From reflective, message-driven bars to bass-heavy nods to regional roots, this week’s hip hop selection keeps substance front and centre. These are tracks built on atmosphere, intent and identity, each creating it’s own path into 2026.

RydymX – God, man and machine

RydymX delivers a dark, thought-led hip hop release that challenges identity, belief and the age of artificial intelligence

God, man and machine, unfolds over atmospheric production, blending measured rap with spoken-word passages. The sparse, brooding backdrop allows the lyrics to take focus, building a sense of tension and depth.

RydymX, a Canadian artist and producer, positions himself firmly in the conscious hip hop space with this release. Exploring the intersection of faith, humanity and technology, he continues to shape a catalogue rooted in introspection rather than commercial formula. Definitely one to return time and time again this year.

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SYLL – Council Culture

SYLL brings sharp storytelling and grounded realism to a hard-hitting portrait of inner-city life

Council Culture, rides on gripping beats and direct, unfiltered lyricism that cuts through immediately. The production keeps things tight and focused, allowing the narrative to carry emotional weight. I’m into stuff that celebrates working class culture, and just love the vibe here.

SYLL, hailing from Manchester, teams up with producer Aniff Akinola to present an honest reflection on life in council estates. Drawing on foundations in traditional hip hop while nodding to drill and grime textures, the track reinforces his commitment to truth over stereotype. An essential hip hop bop this week.

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Silky Vibe – Box Chevy

Silky Vibe fuses Florida bass nostalgia with stunning stripped-back trap energy and smooth, self-produced confidence

Box Chevy, is driven by deep 808 bass lines, crisp hi-hats and a minimal trap framework that keeps it direct. There is a laid-back assurance in the flow, giving the track both an irresistible groove and a fuck load of personality.

Silky Vibe, based in Fort Lauderdale, blends his R&B sensibility with hip hop roots on this release. Paying homage to the sounds he grew up on, he delivers a personal, self-produced cut that feels both nostalgic and contemporary. I’ve no idea what a box chevy is but this song is great.

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THIS WEEK’S INDIE ROCK BOPS

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February’s got big indie choruses, jagged guitars and a few left turns define this week’s selection. From Glasgow’s darker edges to jangly London hooks and blues-soaked introspection, these are indie rock releases with intent. Get your volume up and let’s dig in ❤️‍🔥

HEAVYSKINT – When Are You Coming For Me Jesus?

HEAVYSKINT channel raw intensity into a brooding, high-impact single that refuses to look away from the dark

When Are You Coming For Me Jesus? surges forward on noisy guitars, muscular as fuck drums and a chorus made for nothing other than a packed room. The tension between stark verses and explosive hooks gives it real bite, and it’s honestly a great, unique vocal performance.

HEAVYSKINT, emerging from Glasgow’s incredible scene, push further into shadow here, expanding on the controlled chaos of their debut. Produced by Arran Black and shaped by frontman Jacob Hunter’s stark writing, it marks a clear step up in weight and ambition. Unmissable.

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LOOSE CANNONS – Writing On The Wall

Loose Cannons deliver a soaring, guitar-led anthem packed with wonderful alt-rock instincts

Writing On The Wall opens with chiming, jangly verses before crashing into a distorted, anthemic chorus that genuinely sticks with you. It’s got a great vocal performance and the punchy rhythm section give it lift and momentum.

Loose Cannons, a London-based five-piece, lean into their 90s alt-rock influences while sharpening their modern indie edge. Having just announced a big show at Camden Assembly in London in May, there’s something really exciting emerging here. Let’s hope we hear more emotive hooks from these guys this year, and I hope to catch one of their live shows. Exciting stuff.

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Clay Brown & The Trouble Round Town – Satisfy Your Mind

Clay Brown & The Trouble Round Town craft a brilliant blues-tinged indie rocker that balances groove with reflective songwriting

Satisfy Your Mind rides on a warm blues-rock groove, textured guitars and a steady, groovy backbeat. It’s the kind of bluesy indie banger that also gets your head nodding, in a way that the best QOTSA does. The melodies carry a soulful undercurrent that softens its sharper lyrical edges.

Clay Brown, long recognised in Perth’s indie circles, steps confidently into his solo era with The Trouble Round Town. This release signals a deeper dive into folk-leaning, emotionally open songwriting while keeping one foot in expansive indie rock. I’ll be hoping for more of this in 2026.

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Das Sporten – Just A Dog

Das Sporten give us the best kind of loose, bright indie rock with warm 90s energy

Just A Dog is built on prominent guitars, a simple driving bassline and an energetic zinger of a solo that really keeps things immediate. The stripped-back production gives the track a live, unfiltered feel. I love the vocals and discordant groovy guitar in this, but mainly the really, really keen sense of melody.

It took a little detective work to uncover the fact that Das Sporten are actually from the 90s, not just ’90s sounding’. Well, whenever it was recorded, the music is banging, they’re from Chicago, and as a first taste of their upcoming album, it sets out a very exciting intention. It’s great, we’d love to hear more.

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23 Fields – Sidelines

23 Fields blend folk warmth and indie rock sweep into an incredibly reflective and emotionally grounded statement

Sidelines layers electric guitar textures over steady rhythms, gradually unfolding into a rich, melodic centre. I think there’s a bongo in there, but mainly there’s a hell of a lot of warmth and fair dash of wonder. It’s a really, really lovely arrangement that balances nicely with the introspective tone.

23 Fields move into a more expansive, electric-led direction on their third album The Vacant Stars Of Wandering Souls, weaving folk, rock and Americana into a cohesive package. The project reflects renewed focus and a willingness to evolve while holding onto emotional clarity. A folk version of late-era Talk Talk comes to mind, and I’m definitely here for it.

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THIS WEEK’S INDIE BOPS

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Winter isn’t quite done, and some fantastic indie pop is what we need to get us through. There is grit and immediacy running through this week’s two picks, a wonderful guitar-based confessional, and dream pop haze. Let’s get stuck in ❤️‍🔥

Joe Doonan – before you leave

Joe Doonan delivers a heartfelt indie pop ballad that captures love, loss and the fragile space in between

before you leave, unfolds with gentle guitar lines and a wonderful, measured build that is a sort of mirror to its emotional arc. Vocally, it’s a great performance and the melody carries a sense of inevitability, underscored by really, really crisp production.

Joe Doonan, an exciting singer-songwriter with international writing credits, centres his forthcoming EP on the complexities of endings and unresolved feelings. This single distils that theme into a reflective, accessible indie cut rooted. It’s great, check it out.

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Wotts – little bug

Wotts blend dreamy textures and shimmering hooks into a hazy indie pop banger with understated charm

little bug, floats on reverb-soaked guitars and soft-focus synth tones, nodding to dream pop influences while keeping the rhythm tight and melodic. The chorus lands, the production is great, and I’m straight over to Spotify to follow these guys.

Wotts, the Ottawa-based duo of Jayem and Ricky 100, continue building momentum ahead of their upcoming EP. Having already played major Canadian stages, they refine a sound that sits comfortably between indie pop clarity and atmospheric depth. I’d love to see this live, check them out below.

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THIS WEEK’S INDIE FOLK BOPS

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A cold February in Europe means we’re very ready for some warm acoustics and indie folk intimacy. From cabin-recorded confessionals to widescreen folk pop, these soft bangers balance nostalgia with motion. We’re really pleased to present this week’s indie folk bops.

Ben Heyworth – Image of Roads (Montana Mix)

Ben Heyworth reshapes his songwriting roots into a bold indie folk statement charged with restless energy and melodic clarity

Image of Roads (Montana Mix), moves from its acoustic origins into fuller territory, built around driving guitars and a lovely percussive vibe. There is a push and pull between control and release, giving the track a slight live wire edge, but the chorus smooths out into a wonderful indie-folk statement.

Ben Heyworth, a long-standing figure in the Manchester scene, reconnects with his band roots here while stepping forward under his own name. Having previously led Minorplanet and released electronic-leaning work as This Morning Call, this release signals a confident new chapter grounded in organic instrumentation and direct songwriting. It’s great.

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Charlie Diamond – That Diamond Dream

Charlie Diamond captures rustic charm and rebellious spirit in a vintage-tinged folk cut full of character

That Diamond Dream, is steeped in twangy guitars and loose, live drum grooves that nod to classic rockabilly and hillbilly boogie. The raw vocal is pure personality and grit, with just a wonderful warmth. Exactly what we need this winter.

Charlie Diamond, recording from a cabin studio in the United States, leans into a stripped-back, single-take approach that foregrounds authenticity. A 2024 Songwriter of the Year nominee, he continues to refine a blend of folk and country influences shaped by independence and creative freedom. More of this please, Charlie.

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Weston Day – Storms

Weston Day delivers a punchy, lyrically rich folk rocker that balances vulnerability with sharp melodic instinct

Storms pairs fast-paced acoustic strumming with a lovely sort of tumbling, Costello-like lyrical approach that circle themes of love and regret. It’s a wonderful production, guitar tones adding depth, giving the track a grounded, rootsy feel.

Weston Day introduces the first single from his album Maps with a sound that sits between folk intimacy and late 80s rock energy. His campfire punk spirit and forthright vocal style bring urgency to reflective subject matter. This should be all over Radio 2.

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Adam Wedd – for u i’ll cross the sea

Adam Wedd blends heartfelt storytelling with melodic indie folk craft on a tender, transatlantic banger

for u i’ll cross the sea, unfolds gently with acoustic guitar at its core, gradually expanding into a warm, full-bodied arrangement. Vocally it’s really, really beautiful. And the melody carries a sense of longing that mirrors its real-life inspiration.

Adam Wedd, a London-based multi-instrumentalist and producer, draws on classic songwriter traditions while shaping a sound that feels contemporary and personal. Inspired by a cross-border love story, this release shows the kind of great narrative focus and emotional precision that should bring in many, many more listeners. It’s great.

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Ker – Lofty Thoughts

Ker crafts a wonderful atmospheric indie folk meditation that finds emotional weight in the smallest everyday details

Lofty Thoughts, drifts on soft melodic phrasing and touching, understated instrumentation, creating space for reflection. Its gentle dynamics, lovely guitar work and thoughtful pacing reinforce the song’s introspective core.

Ker, originally from Edinburgh and now based in London, brings a varied life path into his forthcoming debut album Converging Paths. I really liked ‘Wondering on Giants’, one of his previous singles, and it’s good to hear more on a similar theme; sentiment, memory and the significance of ordinary objects. Great stuff.

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THIS WEEK’S POP BOPS

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Valentines Day is gone, so what better time is there to lean into big pop hooks, emotional honesty and reflections on identity. From late-night introspection to arena-sized choruses, these artists are pure pop purpose. Let’s get stuck in.

Max Sarre – 2025

Max Sarre steps forward with a sleek, emotionally charged pop single that captures ambition and late-night reflection

2025 glides in with polished pop production and a sense of forward motion, pairing smooth vocals with a clean, radio-ready sheen. It’s a really lovely melody, with a reflective undercurrent underneath that confident surface. The chorus explodes Robyn-like banger territory, and we’re 100% sold.

Max Sarre, the London-based artist building a growing global audience, frames this release as a marker of progress. With years of performance behind him, he sharpens his sound here, balancing intimacy with mainstream ambition. More of this please this year, Max.

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Veronica Largiu – Survival Instinct

Veronica Largiu delivers a powerful pop statement built on resilience, vocal control and unwavering self-belief

Survival Instinct, builds steadily from a poised opening into a soaring, emotionally direct chorus driven by wonderfully commanding vocals and crisp contemporary production. The tone feels on the defiant and uplifting side, especially when the chorus explodes into action.

Veronica Largiu, an Italian-born artist now based in London, channels personal struggle into a wider message of strength and perseverance. After years of international performance and formal training, this new chapter positions her firmly in her own lane. For fans of great soulful pop.

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arttext – Ich Bin

arttext crafts a thoughtful, atmospheric pop cut that explores identity through sleek R&B textures

Ich Bin, unfolds over smooth R&B rhythms. the grooviest guitar we’ve heard in 2026 so far, and understated electronic layers. There’s space for introspection, a reflection on ego that feels so important these days, and a polished production feels measured and deliberate, matching the song’s philosophical core.

arttext, the Langenfeld-based solo project, approaches pop from a conceptual angle. Entirely self-directed, this release underlines a commitment to depth and mood, inviting listeners into a more reflective sonic world. Check this out, it’s great.

Low Tide Signals – Orbital Feelings

Low Tide Signals craft a restrained, late-night electronic pop track built on emotional pull and subtle atmosphere

Orbital Feelings, drifts on airy synth textures and spacious production, creating a sense of steady gravitational pull. The chords and vocal delivery really make this a standout vibe, and the mood is intimate and reflective, designed for headphones and low light.

Low Tide Signals, an electronic project that we don’t know much about yet, feels very shaped around restraint and space. It centres this release on quiet emotional gravity rather than drama. It marks a focused exploration of immersive connection that just won’t drift away. We’ll be keep an eye on these guys.

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Mogipbob – Blame the Cat

Mogipbob pairs wit and melody in a characterful pop cut shaped by small-town storytelling

Blame the Cat, blends folk and country touches with a pretty infections house-pop groove, allowing its playful narrative and warm vocal to take centre stage. Taken from the album ‘High on the Hog’, it might be the best track we’ve heard with a pig on the artwork, and the light and melodic tone reflects that.

Mogipbob, the Alberta-based songwriter and recording name of Jason Graves, builds his music around everyday life and honest observations. This release underlines his knack for humour, heart and hook-driven songwriting. This is fun.

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THIS WEEK’S POP BOPS

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Valentines Day is almost here, and this week’s pop selections lean into a little of that emotional focus and melody it brings. From contemporary soul to reflective indie pop and moody late-night R&B, these tracks these five bops will give you what you need this week ❤️‍🔥

A’shon Galaxy – More Than Only Friends

A’shon Galaxy delivers a wonderfully honest late-night R&B confessional built on warmth, groove and emotional precision

More Than Only Friends, unfolds over a steady, jazz-leaning groove, guided by smooth keys and deep, rounded bass. The arrangement feels intimate and measured, allowing the vocal to carry the tension between restraint and longing.

A’shon Galaxy writes and performs with a clear focus on emotional storytelling, blending soul, R&B and subtle contemporary textures. This release captures the push and pull between friendship and desire, positioning him as a thoughtful voice in modern soul. A great, honest listen.

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Jake Sandler – LOVE WON’T BE THE SAME

Jake Sandler pairs warm, brilliant melodic indie pop with raw introspection on a heartfelt post-relationship release

LOVE WON’T BE THE SAME, centres on chiming guitars and a clean, melodic hook, balancing reflective verses, a stunning vocal performance, and a direct, chorus-led hit to the heart. The production is genuinely great, keeping things crisp and uncluttered, giving space to the emotional core of the track.

Jake Sandler, based in Camden, draws from classic British songwriting while shaping a contemporary pop sound. This single explores guilt, nostalgia and growth after a relationship ends, marking a confident step in his development as an artist. A real standout.

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Ethan Doyle – God Knows

Ethan Doyle blends emotion with open-hearted songwriting on a wonky pop banger

God Knows, moves between soft, melodic passages and more textured production, combining catchy toplines with subtle rhythmic detail. It’s ambitious, a bit mumbly, a bit Beck but definitely all wonderful.

Ethan Doyle, a Bath-based producer with years of experience across different aliases, steps into a more personal era under his birth name. This release signals a renewed focus on identity and honest expression, weaving deeper themes into accessible pop structures. Please Ethan, let’s have more of this. This is great.

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Golden Fez – Obsessed

Golden Fez crafts a great dark-edged pop cut driven by cinematic production, immersive R&B textures a lot of heart

Obsessed, leans into moody synth layers and slow-burning beats, creating a dense, late-night atmosphere. The vocal sits confidently in this, carrying themes of temptation and emotional intensity.

Golden Fez operates in the space between dark pop and contemporary R&B, blending hypnotic rhythms with introspective writing. With cinematic production at its core, this single strengthens his position within the more atmospheric side of modern pop. A great track.

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Richard Green – Ending up in the wrong way

Richard Green delivers a melodically rich pop ballad shaped by reflection, restraint and emotional clarity

The wonderfully titled ‘Ending up in the wrong way’ is built around a lovely lead melody and spacious piano-led instrumentation, with subtle strings adding cinematic depth. The track unfolds slowly, with an emotional tone and measured dynamics. vocal line.

Richard Green, an Italian musician based in London, brings his compositional background into a contemporary pop setting. Drawing on personal experience, this release reflects on love lost and the complexity of relationships, balancing classical influence with accessible, melody-driven songwriting. It’s an interesting production.

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TODAY’S ROCK BOPS // FOR YOU BROTHER

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This edition of Rock BOPS leans into conviction and catharsis, big-hearted rock that reaches for something steadier when everything feels unbalanced.

For You Brother – Father Help Us

For You Brother turn a simple plea into a powerful chorus, ‘father, help us through’ lands with real weight and genuine grace

Father Help Us is built around a line that feels like both prayer and protest. When Phil Noah sings “father, help us through”, it cuts straight to the centre of the song, a moment of vulnerability that anchors everything around it. The lyric repeats like a grounding point, offering comfort without pretending the struggle is over.

Musically, the track blends classic rock muscle with modern pop clarity. There is warmth in the guitars, space in the arrangement, and a steady confidence that lets the message breathe rather than overwhelm. It feels polished but never distant, emotional without tipping into excess.

Rooted in faith but open in its meaning, Father Help Us works because it speaks to something universal. Whether heard as a spiritual conversation or a human cry for guidance, the song carries a sense of unity and hope that lingers long after the final note.

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THIS WEEK’S ELECTRONIC BOPS

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It’s almost Valentines Day, so these electronic picks lean into atmosphere, movement and a little late night emotion. From cinematic deep house to groove-led electro indie and stripped-back UK bass, welcome to this week’s electronic bops.

Brad Machado – Desert Mirage

Brad Machado crafts wonderful, cinematic deep house cut that fuses hypnotic groove with melodic tension

Desert Mirage, glides on a steady deep house pulse, built around warm synth swells and immersive, low-slung percussion. The groove is fluid and spacious, production standout, and a melodic topline that gives the track emotional lift without losing a wonderful club focus.

Brad Machado blends melodic dance music with detailed sound design, moving between cinematic atmosphere and dancefloor propulsion. Featuring vocalist Nova Rai, this release explores the space between human touch and forward-thinking production, marking another step in his evolving electronic palette. A great track.

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Slick Oyster – Level UP

Slick Oyster delivers a brilliantly soulful electronic groove shaped by warmth, restraint and subtle rhythmic detail

Level UP, eases in on organic textures and supple electronic drums, pairing mellow vocals with crisp, understated production. The track builds patiently, letting its groove unfold through gentle guitar flourishes and a tight rhythmic backbone.

Slick Oyster, based in Leipzig, operates as a self-contained creative force, writing and producing solo. The result is a brilliant production, a touch of electro indie blended expertly with a funk-leaning groove and refined electronic touches, drawing on a wide range of lived experience to create something grounded and character-led. It’s perfect as we slide into Spring.

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D3PRT – You Will Never Know

D3PRT channels late-night tension into a fizzing standout UK garage cut driven by space and restraint

You Will Never Know, sits deep in the low end, anchored by fractured garage rhythms and a stark, minimal arrangement. Sub bass pressure and clipped percussion create a sense of quiet intensity, with tension simmering beneath the surface.

D3PRT is a UK-based electronic producer working across dark garage, breaks and UK bass. It’s a production masterclass, and the release edges wonderfully toward a cold, introspective sound. This is a huge bop, perfect for for low-lit rooms and after-hours radio. More of this please, D3PRT.

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ROCK BOPS OF THE WEEK

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February is off to a banger with rock tracks rooted in grit, storytelling, and a lot of emotion. From road-ready Americana to classic-leaning heartland rock and dark modern edges, these are tracks we’re loving this week.

Peningo Riders – Duck That Jeep

‘Peningo Riders turn Americana into a wonderfully communal, feel-good rally cry‘

“Duck That Jeep” barrels out of the gates with a grin on its face and dust on its boots. Built on a gritty blues-rock shuffle, it leans into swagger, humour, and pure forward motion, sounding like it was made for open roads and sunburnt afternoons.

The New York based Americana outfit channel classic Southern rock energy through a modern lens, pairing chunky riffs with a genuine sense of shared joy. There’s something disarmingly sincere about the way Peningo Riders invite listeners into their world, loud, inclusive, and proudly unpolished. Loads of fun.

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Greet The Chief – Bad Blood

“Greet The Chief thrive on tension, turning pressure into a brilliant indie sleaze banger”

“Bad Blood” is taut and driven, balancing a fantastically driving almost indie-sleaze production with a restless undercurrent. It feels emotionally charged without tipping into melodrama, powered by a vocal that knows when to push and let the production do the talking.

Hailing from the UK, Greet The Chief is the project of Gavin Davies, a songwriter with deep roots in the British indie scene. There’s a sense of momentum here, and the song feels a bit like a statement and a stepping stone, confident, focused, and ready to travel far beyond its starting point. A great tune.

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DownTown Mystic – Hard Enough (On E Street Remix)

“DownTown Mystic prove without a doubt that classic rock values still have fire”

This remix of “Hard Enough” leans hard into heritage rock muscle, amplifying the song’s punch without losing its heart. Big guitars, driving rhythms, fantastic harmonies, and a no-nonsense attitude give it the feel of a track built for late-night radio and long drives.

Based in the US, DownTown Mystic is Robert Allen’s long-running rock project, steeped in American songwriting tradition. With contributions from members of Bruce Springsteen’s E Street Band, the track wears its influences proudly, sounding timeless without feeling stuck in the past. It’s great.

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Dead Skin Project – Scarlet Teardrops

“Dead Skin Project deliver dangerously dark indie rock with a fearless conviction”

“Scarlet Teardrops” walks the line between grit and hook-heavy rock with ease. It’s brooding but playful, pairing gothic-tinged textures with a chorus that is genuinely great. There’s a lovely dose of attitude here, but also a sharp ear for melody.

Based in Bishop Auckland, England, Dead Skin Project draws from punk, hard rock, and post-punk traditions to build something distinctly their own. The result feels defiant and alive, music made by someone who understands the power of leaning fully into their sound. Some great riffs too!

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