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TODAY’S INDIE ROCK BOPS // HERDS

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This edition of Indie Rock Bops spotlights a Nottingham band carving out a vivid new chapter. With sharp song-writing, wiry guitars and emotional clarity, this track brings a fresh spark to the UK indie scene.

Herds – Inside

Herds deliver a feisty, tightly written indie rock punch, wrapped in a vocal that hits with lived-in honesty

Nottingham psych-indie outfit Herds return with Inside, a track that channels the collapse of a relationship into something direct and unflinching. Recorded at JT Soar with Phil Booth and mixed by Robin Newman at Snug, it carries a raw edge that never slips into chaos, instead pushing forward with purpose.

Previously known as The Amber Herd, the band rebuilt and redefined themselves after a name and line-up change. Their new identity leans into sharper guitar work, more confident contrasts and a broader sense of atmosphere. You can hear the years on stage, the festival miles, and the influence of their progressive and Americana-tinged past, now shaped into something more focused.

Inside feels like a diary page set on fire, full of tightly observed details and a rhythm section that keeps the whole thing driving. The writing is lean, the production is clean without being polished, and the storytelling is delivered with a steady, understated intensity.

The release is paired with a special alternate version of Over the Lake, a song destined for their upcoming third LP. It hints at the expanded world Herds are building toward, suggesting a record with both muscle and emotional depth.

Inside is a confident step forward, marking Herds as a band in full motion toward a new era.

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TODAY’S R&B BOPS // ALASTAIR BENTLEY AND KARNEE

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This edition of R&B Bops leans into late night soul and warm confessions. With two rising artists exploring vulnerability from very different angles, these tracks bring heartfelt honesty, velvet smooth grooves and the glow of real emotion.

Alastair Bentley – Box Office

Alastair Bentley delivers melodies that feel instantly familiar, wrapped in a warmth that sinks straight into your chest

Halifax singer songwriter Alastair Bentley brings a breezy, heartfelt charm on Box Office, a track that moves with an easy confidence and a storyteller’s touch. Growing up in West Yorkshire, Alastair absorbed the pulse of the local music scene and the influence of icons like Paul McCartney, Mac DeMarco, Hers and Beach House. You can hear that blend of classic and contemporary in every line.

The song unfolds like a diary entry, full of small details and soft humour, carried by Alastair’s distinctive tone and a melody that lingers long after it ends. There is a simplicity to the production that lets the songwriting shine, and a sincerity that makes the song feel like a quiet, welcome conversation.

This release marks another step forward for Alastair, now firmly emerging as one of Halifax’s most promising young voices.

Karnee – Spent

Karnee’s voice holds a rare emotional weight, turning every line of Spent into something tender, vulnerable and unforgettable

Detroit artist Karnee returns with Spent, a soulful, emotive R&B track that leans into longing and the ache of unspoken feelings. Inspired by the heightened emotion of romantic films, Karnee writes with honesty, letting each lyric cut straight to the heart.

Recorded in Oklahoma City with producer Rob Stovall and master engineer Cutta Classic, the track carries a rich warmth. Soft percussion and understated production leave space for Karnee’s intimate vocals, creating a moment that feels personal yet instantly relatable. It captures a snapshot of emotional openness that many listeners will recognise.

Spent marks an important moment in Karnee’s artistic journey, setting her on a path toward even bigger stages as she continues refining her deeply heartfelt sound. It’s genuinely stunning.

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TODAY’S SYNTH POP BOPS // AVENIDA CORRIENTES

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This edition of Synth Pop BOPS dives into shimmering electronics, late night emotion, and the cinematic pulse of modern Spanish pop. Avenida Corrientes steps forward with a track that glows with drama and atmosphere, pulling you into a world of neon haze and quiet intensity.

Avenida Corrientes – Desaparecer

Avenida Corrientes brings a haunting beauty to synth pop that stays with you long after the final note

Avenida Corrientes returns with Desaparecer, a sleek and atmospheric slice of synth pop that fuses emotional storytelling with meticulous sound design. Recorded and mixed at the renowned Artesonao studio in Málaga and mastered at the esteemed 123 Studios in London, the track showcases an artist fully in command of their craft.

Desaparecer glides on cool electronics and a gently driving beat, pairing Spanish lyrics with brief touches of English to create a sound that feels both intimate and widescreen. The production is sharp yet sensitive, glowing with detail in the synth layers and vocal textures. Written in the summer of 2025, the track captures a sense of uncertainty, longing, and the quiet ache of something slipping away.

The Sevillian artist draws inspiration from electronic giants such as Moby and Depeche Mode, while also weaving in the atmospheric pop influence of Fangoria and La Casa Azul. The result is a crisp, modern sound that remains rooted in emotion. At just under three minutes, Desaparecer leaves its mark quickly and with intention, offering a moment of escape that lingers in the mind.

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TODAY’S POP ROCK BOPS // ARN IDENTIFIED FLYING OBJECTS AND ALIEN FRIENDS, TALK IN CODE, AND ANDY SUNSHINE

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This edition of Pop Rock Bops brings together three artists who lean into warm nostalgia, timeless songwriting, and big melodic moments. From cinematic soft rock to stadium-ready anthems and heartfelt acoustic reflections, today’s selection is rich, emotional, and built for repeat listens.

Arn-Identified Flying Objects and Alien Friends – The Crow

Arn Identified Flying Objects and Alien Friends deliver soft rock storytelling with a cinematic sweep that is instantly captivating

The curiously named Arn Identified Flying Objects and Alien Friends return with The Crow, a slow burning piece of soft focus rock that blends classic AOR warmth with a strange, dreamlike melancholy. The track carries a Bolero styled sway, cosy background vocals and a dramatic rise that feels built for old film reels and dimly lit evenings. The lyrics linger in the space between loneliness and longing, where love and regret blur at the edges. It is tender, weary and quietly striking.

Behind the project is Swedish songwriter Arne Flloyd, channelling influences from Roy Orbison and the rich melodic traditions of classic rock. The production brings in contributions from respected musicians like Andreas Quincy Dahlbäck on drums and background vocals from members of The Merrymakers and Mother James. Out on December 12th, the single is full of texture and emotional nuance, The Crow is a gentle reminder that some stories ache in all the right places.

Talk In Code – More Than Friends

Talk In Code hit a sweet spot between nostalgia and pure pop energy that feels effortlessly uplifting

Talk In Code lean into shimmering nostalgia with More Than Friends, a bright, late night rush of new wave pop rock. The song moves between reflective verses and a soaring, hands in the air chorus, capturing that bittersweet moment when you are waiting for someone to admit what you both already feel. The rhythmic groove keeps everything moving with an irresistible pulse, turning the emotional tension into something euphoric.

The Swindon based band have grown into festival favourites, celebrated for mixing 80s cinematic charm with 90s indie sparkle. Recorded with producer Sam Winfield, More Than Friends sits proudly alongside their previous releases which have earned BBC Introducing support and hundreds of thousands of streams. With chart ready hooks and heartfelt delivery, Talk In Code continue proving why they are one of the most reliable pop rock outfits in the UK.

Andy Sunshine – I Believe In Christmas

Andy Sunshine brings a touching honesty to Christmas music, crafting something tender and beautifully sincere.

Andy Sunshine offers a heartfelt seasonal moment with I Believe In Christmas, a soft pop rock ballad wrapped in nostalgia and gentle emotion. The song leans into the ghosts of Christmas past, mixing sadness, sweetness and hope in equal measure. The chorus rises with a classic feel, promising to linger long after the final chords fade. It is sentimental in all the right ways and feels built for quiet December evenings.

Hailing from Guernsey, Sunshine combines melodic acoustic elements with earnest pop rock writing. Working with producer Finn Connolly, he shaped the track during a relaxed summer studio session, letting the emotional weight guide the arrangement. As he grows his catalogue and audience, I Believe In Christmas shows a writer who knows how to tap into memory, warmth and human connection with real sincerity.

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TODAY’S INDIE POP BOPS // COSSMO AND THE SNOW PONIES

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This edition of Indie Pop BOPS drifts between late night introspection and bittersweet charm. From quiet thoughts that bloom into catharsis to a jangly indie gem with storytelling at its core, these two artists deliver songs that glow with feeling, craft, and a little emotional truth.

Cossmo – home alone

Cossmo turns quiet loneliness into something tender and luminous, crafting indie pop that feels like a late night truth

Cossmo captures that quiet ache of growing older and realising you have to learn how to sit with yourself, how to turn loneliness into something softer and more forgiving. The song moves from hushed, late night confession to a dynamic, surging bridge, and the emotional shift feels earned and incredibly human.

The Swiss songwriter specialises in intimate writing that reads like snapshots from a journal. His songs wander through thought spirals, healing, and the strange spaces between melancholy and hope. “home alone” is one of his most moving yet, threading vulnerability through a melody that feels both tender and resilient. It is indie pop for anyone who has ever convinced themselves they are fine and then suddenly realised they are not.

The Snow Ponies – The Long Way Home

“The Long Way Home” is a wistful, beautifully eccentric slice of indie pop storytelling

Phil Dean’s project leans into warm guitars, soft grit, and melodies that feel like walking through a familiar town at sunset. There is humour in the band’s origin story and sincerity in the songwriting, and that combination is what makes this track shine.

Recorded in rural Aotearoa and shaped by Dean’s years of touring and writing, the song blends indie pop shimmer with touches of alt rock and classic jangle. It is grounded, melodic, and quietly charming, carrying a simplicity that lets the feeling land without fuss. “The Long Way Home” plays like a gentle reminder that the small steps back to yourself are worth celebrating.

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TODAY’S RNB BOP // SHELITA

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This edition of RNB BOPS falls head over heels for Shelita and her lush new single I’m So In Love With You. It is a track that bottles the moment love stops being a feeling and becomes a force, filling the room with warmth, clarity, and that rare sense of emotional awakening.

Shelita – I’m So In Love With You

Shelita glides between eras of R and B with stunning cinematic grace

Blending the golden glow of 90s soul with the polish of contemporary R and B, I’m So In Love With You is both nostalgic and refreshingly modern. The production sways with smooth basslines, crisp hip hop inspired drums, and a gentle pulse that leaves plenty of space for Shelita’s vocals to shine. Her voice carries a soft power, moving from tender confession to confident declaration with effortless control.

Lyrically, the track leans into the quiet magic of love that arrives unexpectedly. It captures the shift from butterflies to a deeper kind of certainty, the moment you realise someone has changed the shape of your world in ways you cannot undo. Shelita sings with honesty and emotional clarity, grounding the song in lived experience rather than cliché.

A genre blending artist with a global outlook, Shelita draws inspiration from her travels, her advocacy for the ocean, and her wide range of creative pursuits. She has been praised by outlets such as NPR and Forbes for her distinctive voice and fearless storytelling. Raised in Seattle before building her career in Europe, she has toured internationally and amassed over 20 million streams, proving how far an independent artist can go with vision and determination.

I’m So In Love With You is the kind of R and B track that lingers long after it fades, offering warmth, depth, and a genuinely uplifting emotional space. It feels intimate, cinematic, and unmistakably her.

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TODAY’S DARK POP BOPS // LAYLA KAYLIF, NICO GUZZI & FAKE PLASTIC

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This edition of Dark Pop BOPS dives into the shadowed corners of pop’s emotional spectrum. From cinematic tension to poetic grit and electronic introspection, these three artists create soundscapes that glow under the dim light – heavy with feeling, rich with texture, and alive with purpose.

Layla Kaylif – Closer

Layla Kaylif turns longing into light, crafting songs that ache with intelligence and emotional clarity

A collision of poetry and power, Closer is an alt-rock hymn that pulses with both restraint and release. Co-written with Greg Fitzgerald (Shakespeare in Love), the track blends cinematic grandeur with raw humanity, threading strings of heartbreak through a storm of guitars and synths. Kaylif’s voice feels timeless – poised between tenderness and fury, shadow and surrender.

Described by critics as “one of the UK’s most intriguing under-the-radar voices,” she sits comfortably beside Florence + The Machine or Lorde, yet sounds unmistakably her own. Closer is the sound of control meeting chaos – a masterclass in emotional storytelling that lingers long after it fades.

Nico Guzzi – Follow Me Now

“Nico Guzzi merges technology, tension, and tenderness into dark electronic pop that feels cinematic and human.”

Italian composer and multi-disciplinary artist Nico Guzzi offers something that sits between Depeche Mode and a lost sci-fi film score. Follow Me Now glides through noir synths and industrial percussion, carried by Guzzi’s intimate, ghost-like vocal delivery.

Best known for his work in film, literature, and composition, Guzzi’s musical world is one of precision and restraint. Every beat feels deliberate, every lyric suspended in twilight. Follow Me Now is less a song than a slow-burn invitation – one that lures you into its hypnotic orbit and refuses to let go.

Fake Plastic – What Should I Be Scared Of? (Remix)

“Grit, glamour, and a growl of resistance — Fake Plastic make fear sound electric.”

This remix of What Should I Be Scared Of? reimagines their debut single with sharper edges and heavier shadows. It’s garage punk rewritten in neon – distortion humming beneath stadium-sized choruses and poetic introspection. The production bristles with energy, balancing art-school abstraction with raw rock intensity.

The band describe their sound as “written from the heart and cut with grit,” and that ethos defines this remix: dark, driving, and defiantly alive. It’s a reminder that fear isn’t the enemy – apathy is.

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TODAY’S ALT POP BOPS // JEMILY RIME, TONY GRAVYBOAT & TRANSGALACTICA

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This edition of Alt Pop BOPS explores the edges of genre and emotion. From haunting jazz-pop introspection to heart-on-sleeve alt hip hop and visionary art-rock futurism, these three artists prove that alternative pop still thrives when it dares to sound human.

Jemily Rime – Angel

Jemily Rime builds worlds that shimmer with melancholy and wit – music that aches, glows, and never lets go

French jazz-pop artist Jemily Rime closes her Phantom Feels trilogy with Angel, a haunting exploration of timing, friendship, and the ache of almost-love. The track embodies the spirit of the EP: ghostly, tender, and richly emotional. Blending jazz sensibilities with pop precision, Angel takes the shape of a gargoyle waiting for connection – still, stone, but full of yearning.

Self-written and produced, the song balances lush horns and intricate rhythms with Jemily’s luminous voice. Her lyrics twist between poetry and confession, carried by production that feels simultaneously classic and contemporary. It’s clever, cinematic pop that feels lived in, every note dripping with intelligence and feeling. Angel confirms Jemily Rime as a rare artist who turns heartbreak into fine art.

Tony Gravyboat – Losing Touch

Tony Gravyboat delivers confessional alt-pop with bruised beauty and brutal honesty

From Thorold, Ontario, Tony Gravyboat has evolved from tongue-in-cheek art rap into a more emotional, cinematic sound that fuses alt hip hop and R&B. Losing Touch, recorded with Ghost Note in a Saskatoon hotel room, captures the intimacy of isolation – heartbreak unfolding in slow motion.

The track’s atmosphere is hazy but deliberate, every beat wrapped in melancholy. Lyrically, it’s a modern hymn for the lost and the restless, pairing sharp wit with a raw sense of empathy. Tony’s delivery sits somewhere between spoken word and melody, an emotional grey space that feels painfully real. With Losing Touch, he finds the intersection of art and vulnerability, proving that evolution can sound both tender and thunderous.

Transgalactica – Reweaving a Rainbow

Transgalactica reinvent progressive rock as a language of hope, colour, and imagination

Polish art-rock band Transgalactica turn their cosmic creativity toward something unexpected: a prog-infused children’s anthem that celebrates unity and enlightenment. Reweaving a Rainbow is built on neoclassical foundations, inspired by Stravinsky’s Pulcinella, yet feels strikingly modern.

Vocalist Lukky Sparxx swaps his usual metal intensity for melodic grace, delivering a performance that’s both powerful and tender. The song’s message – equality, science, and freedom as colours in a new rainbow – feels universal and disarmingly genuine. While playful on the surface, it’s grounded in purpose, showcasing the band’s vision of music as both education and art.

Reweaving a Rainbow is as fearless as it is uplifting, a reminder that even progressive rock can still find new ways to inspire.

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TODAY’S POP BOP // EILEEN CAREY

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This edition of Pop BOPS heads to California, where award-winning singer-songwriter Eileen Carey channels optimism and renewal in Carry Me Away, an uplifting pop-country anthem about rediscovery and the beauty of second chances.

Eileen Carey – Carry Me Away

Eileen Carey turns empowerment into pure melody, crafting pop that feels as confident as it does catchy

With Carry Me Away, Eileen Carey reminds us that joy can be bold. The track bursts with shimmering guitars, soulful vocals, and a radiant chorus that feels tailor-made for open roads and endless skies. Her voice glows with confidence and warmth, balancing pop precision with country heart.

Produced in Altadena, California, the song captures the freedom of starting anew – “I feel like taking chances / I feel brand new / Can’t lose.” Carey sings with conviction, turning her signature “West Coast Pop-Country” sound into something that feels both personal and universal. It’s an anthem of optimism, wrapped in the golden light of California pop.

A seasoned performer with over 25 career awards and chart-topping singles, Carey’s music radiates positivity without pretense. Carry Me Away continues her tradition of songs that celebrate change, empowerment, and the magic of being fully alive.

Eileen Carey makes pop that smiles back – bright, unshakable, and full of life.

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TODAY’S ROCK BOPS // CAN’T STOP TALKING

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This edition of Rock BOPS heads to London for a live-wire performance that proves post-punk is very much alive. Recorded at one of the city’s most storied grassroots venues, Live at The George Tavern captures the thrill of chaos done right – loud, unfiltered, and completely contagious.

CAN’T STOP TALKING – Live at The George Tavern

Ferociously energetic, sweaty and beautifully chaotic – Can’t Stop Talking will leave you wanting more

Forget polish. Live at The George Tavern is all pulse and immediacy, a snapshot of CAN’T STOP TALKING at their most raw and exhilarating. The four-track EP bottles the heat of a sold-out summer night where every riff and shout ricocheted through the crowd. Tracks like Angel in Disguise and Easy Tiger erupt with feral rhythm, while Business As Usual channels the band’s signature blend of sharp hooks and wiry, hypnotic grooves.

Drummer Luca calls it “a bold move – sharing the live experience globally with our fans,” and that spirit runs through every second. With new bassist Hannah adding backing vocals and bite, the band stretch their sound into something fuller and fiercer. It’s proof that a live record can be more than a souvenir – it can be the main event.

If Fontaines D.C. collided with early Arctic Monkeys in a dim East End pub, it might sound like this: noisy, vital, and impossible to ignore.

CAN’T STOP TALKING make post-punk sweat again – fearless, unfiltered, and very much alive.

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